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- Description:
- This research study is dedicated to analyzing how gender is represented and perceived in the comic book medium, specifically in American superhero comic books and Japanese action-adventure shonen manga genre comics. The comic book medium has cemented itself as a creative cultural cornerstone valued by many fans. Despite this, the comic book industry is predominantly male and female comic book characters are scrutinized. (Roberts, 2016). In response to occurrences like these, survey and interview questions were created for this research study and given to comic book fans and artists respectively for insight into how comic book fans and creators feel about gender representation. As a result, it has been discovered that both male and female comic book fans have diverse opinions on preferable gender representation but tend to agree on certain kinds of character attire being desirable/impractical and how to detect or trust specific kinds of female characters.
- Keyword:
- gender studies, gender representation, Japanese shonen, American superheros, comic books, and manga
- Subject:
- Communication and Media Studies
- Creator:
- Viera, Mario J.
- Contributor:
- Dr. Cynthia Walker, Thesis Advisor
- Owner:
- lsquillante@saintpeters.edu
- Publisher:
- Saint Peter's University
- Date Uploaded:
- 06/10/2020
- Date Modified:
- 06/10/2020
- Date Created:
- April 20, 2020
- Rights Statement:
- In Copyright
- Resource Type:
- Research Paper
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- Description:
- The connection between art and gender has become much more pronounced in recent years with the rise of feminism, and as a result, there has been much interest in tracing back the origins of this connection, as well as the origins of art which empowers women. Italian Baroque painter Artemisia Gentileschi has been an especially important person of interest in this field; she challenged the limits imposed on women artists of her time, though not without hardship. Several of her artworks remain famous to this day—they are arguably even more famous today than ever before—yet many people do not focus as much on her self-portraits as they do on her history paintings. This thesis is meant to provide some deeper analysis of her self-portraits, as well as some of her other paintings which have been popularly interpreted as containing instances of self-insertion. Artemisia’s self-portraits can be seen as protofeminist works, given the grand and bold manner in which she would image herself. Through her self-portraits and artistic self-insertions, one can come to learn more about Artemisia Gentileschi’s own identity, as well as how she viewed women, and how she viewed the overall society in which she lived. By depicting herself in more creative and allegorical forms, Artemisia was able to take control of her own image and present herself to the world as she viewed herself.
- Keyword:
- gender studies, Artemisia Gentileschi, protofeminism, art history, feminism, and Baroque Art
- Subject:
- Visual Arts
- Creator:
- Rojas, Kevin
- Contributor:
- Dr. Jon Boshart, Thesis Advisor
- Owner:
- lsquillante@saintpeters.edu
- Publisher:
- Saint Peter's University
- Date Uploaded:
- 06/10/2020
- Date Modified:
- 06/10/2020
- Date Created:
- April 20, 2020
- Rights Statement:
- In Copyright
- Resource Type:
- Research Paper
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- Keyword:
- machismo and gender studies
- Creator:
- Mejia, Jennifer
- Contributor:
- Dr. Mark DeStephano, Thesis Advisor
- Owner:
- lsquillante@saintpeters.edu
- Publisher:
- Saint Peter's University
- Date Uploaded:
- 10/23/2019
- Date Modified:
- 10/23/2019
- Date Created:
- May 2016
- Rights Statement:
- In Copyright
- Resource Type:
- Research Paper